Bill Curran – “A View for All Seasons”

November 13, 2005

“Down all the side streets, people have wonderful hidden gardens,” artist Bill Curran told a reporter from The Hudson Dispatch in 1986. Today, the painter says, “Seeing other backyards helped me see my own.” Curran loves nature and looking out the window, so, being an artist, he married the two and began a series of paintings of his own backyard.

Outside his window, shapes and colors interact to create beautiful compositions that call out to be painted. Sometimes, Curran records the scene in one sitting. On other occasions, he may return to a subject over a series of sessions.

Please join us Sunday, November 13, 4 p.m. to 6 p.m., for an artist’s reception and opening of A View for All Seasons: Paintings by Bill Curran, in the Upper Gallery at the Museum, 1301 Hudson Street, through December 23. Over a dozen oil and acrylic paintings of backyard views observed through the seasons, and through the years, are on display.

The paintings record fleeting changes in light and weather conditions, and lasting changes over time. This year, the red geraniums that had always accentuated the green grass of a neighbor’s yard were gone, making the scene far less interesting to the painter’s eye. Even so, the view from his window continues to inspire the artist in fresh and unexpected ways.

Bill Curran’s paintings have been exhibited throughout the metropolitan area. He has studied at The National Academy of Design and The Art Students League. Among the painters Curran counts as influences are Claude Monet, and contemporary artists Fairfield Porter, Jane Freilicher, and Wolf Kahn.

Ben Fernandez – “Shipyard”

September 2005

Acclaimed photographer Benedict J. Fernandez went to work at Hoboken’s Bethlehem Steel Shipyard right after high school. His father, who had gone to work at the yard in 1936 and stayed until it closed, got him the job. Ben Fernandez worked alongside Moneybags John, Willy the Beat, and Jesse James. There was an easy camaraderie among the workers, and the shipyard became a home away from home. Fernandez stayed four years at Bethlehem Shipyard working as an apprentice and, later, a full-fledged crane operator, before taking a job at the Brooklyn Navy Yard. At the time, his great avocation was photography, and on several occasions he returned to the Hoboken shipyard to photograph the men who had become his friends. In 1963, after the Brooklyn Navy Yard closed, his hobby became his profession.

The Bethlehem Shipyard photographs of Ben Fernandez pay homage to the men who worked at the yard with his father. Like Family: Photographs of Hoboken Shipyard Workers by Benedict J. Fernandez is on view in the Upper Gallery of the Hoboken Historical Museum, 1301 Hudson Street, September 18 through November 6.You are invited to attend the opening reception on Sunday, September 18, from 4 p.m. to 6 p.m.

Fernandez has been widely published and exhibited, and has received recognition for his outstanding contributions to photography, including Guggenheim and National Endowment for the Arts Fellowships. His work can be found in many permanent collections, among them the Museum of Modern Art; Boston Museum of Fine Arts; the Smithsonian Institution; Bibliotheque Nationale, Paris; Stadt Museum, Dortmund, Germany; and the International Center of Photography. Countdown to Eternity, his photographic record of Dr. Martin Luther King the year before his assassination, has been exhibited extensively in the United States and Europe. Currently, Fernandez is a senior fellow in photography at the Corcoran Gallery of Art, Washington, DC, and founder and CEO of Hoboken Almanac of Photography. The Hoboken Almanac Gallery, at 1252 Garden Street, is open by appointment.

This exhibition is made possible by a Block Grant from the State/County Partnership program for the Arts administered by the Hudson County Division of Cultural and Heritage Affairs, Tom DeGise, County Executive, and the Board of Chosen Freeholders.

Antonio DeJesus – “The Town”

March 20,2005

A native of the Dominican Republic, painter Antonio DeJesus moved to Hoboken only three years ago. When he first arrived, DeJesus took long walks around town and developed an appreciation of Hoboken’s architecture. His paintings of local architecture and highly realistic streetscapes are so sharply detailed that they appear at first glance to be photographs. Many are suffused with a warm, golden light, particularly his panoramic southerly view of the Erie-Lackawanna terminal, Lackawanna 2.

The second in a yearlong series of exhibitions looking at Hoboken through the eyes of artists, The Town: Paintings by Antonio DeJesus opens with a reception on Sunday, March 20, from 2 p.m. to 5 p.m. The exhibition is on view through May 7 in the Upper Gallery at the Hoboken Historical Museum, 1301 Hudson Street.

Antonio DeJesus attended Parson School of Design and has won many awards for his illustrations and murals. His work has been shown at Parsons Gallery, New York City, and Centro Cultural Fermosselle, Dominican Republic.